![]() There was a hallway in my childhood home that had a natural reverb, and I used to sing in that space when no one was home. ![]() ![]() This is a sound I would hear with my ear was pressed to her chest as she sang or read to me. What sound from your childhood made the most impression on you?įirst, is the sound of my mother’s voice resonating within her body. Furthermore they’ll be playing France, Switzerland and Germany as well in the coming days. One of them being the Fluister concert series in The Hague, the Netherlands on April 3rd. I found out about Lesley as she is playing some gigs in Europe, alongside sound artist Tristan Perich (whose Microtonal Wall we’ve featured before). As the textures react and build on each other, the space reverberates with subtle sonic imperfections, creating a physical sense to the sound in the space. Periodically Flanigan enters the room and adds new elements to the system. In her two-day “Residue” performance in the Guggenheim (below), she performs on minimal electronic instruments built from speakers and microphones. ![]() Performing these instruments alongside traditional instrumentation that often includes her own voice, she creates a kind of physical electronic music. Inspired by the physicality of sound, she builds her own instruments. Lesley Flanigan is an experimental electronic musician living in New York City.
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